Adam and the Ants - 'Kings of the Wild Frontier'

What a cracking album. Even 30 years after its release, it still has a vitality, freshness and a uniqueness to it that makes it sound as thought it's been beamed in from another planet. I'm not saying that this is an epoch-defining album in the way that, say, Sgt Pepper's has become - it isn't - but as a piece of conceptual pop-art, it's pretty great.

Of course, I'm totally biased. This is the first album I ever bought, and so has a special place in my heart. I can remember going to WH Smiths in Salisbury with my dad and buying it, and the little round price sticker that I carefully peeled off (£2.99). I can remember playing it over and over on my parents' little Dansette-style record player - well, of course I did, it was the the only album I had.

As I just flipped the record over and played the start of side two, the tribal drumming at the start of the track 'Kings of the Wild Frontier' kicked in. My 18 month old son looked delighted and started jumping up and down, and whirling like a dervish, so maybe this record really does stand the test of time.

Brian Eno and Harold Budd - 'Ambient 2: The Plateaux of Mirror'

I have no idea when I bought this. I'd guess it was late 1990s, because there are bits in it that I remember sampling and hiding in the background of tracks, just to fill it out and give it a bit of ambience (pun intended). The piano motif at the start of 'The Chill Air' immediately takes me back to the mini-studio I had set up at my gaff on Meanwood Road in Leeds. I vividly remember having woken up really early, getting into the studio, and laying down layers of samples as the background to a track. I'd used loads of tiny snippets of sound, collaged together behind a drumbeat. I had a terrible lack-of-sleep headache, and what came out of the sampler was reflective of that - disjointed, irritated and disembodied. Not a productive morning.

Conversely, 'Ambient 2' is a beautiful record, really soft and dreamy, but at the same time quite structured. I'd guess that's the combination of Eno's production and Budd's meandering but strong piano lines. It's from a period when ambient actually meant 'evocative', rather than shorthand for slow, repetitive faux-ethnic techno.

I hadn't noticed before, but this really reminds me of 'Genny Hanniver' by Tatsuhiko Asano, which is a relatively recent record. It has the same textures and dreamy feel, calm and cool, but at the same time pulling the listener towards a destination. I don't have 'Genny Hanniver' on vinyl, but it's certainly one of the better electronic downbeat records I've heard in the last 10 years.

Tracks: First Light, Steal Away, The Plateaux of Mirror, Above Chiangmai, An Arc of Doves, Not Yet Remembered, The Chill Air, Among Fields of Crystal, Wind in Lonely Fences, Failing Light.

Catalogue Number: Editions EG EGED18