Freska All Stars - We Come To Rock

Wow. I remember when the Freskanova label started, the records sounded so sharp, fresh, fly, funky, of the moment. The Freestylers were on Freskanova (I think?). 1997. Big Beat. Hip hop and dance. It was some sort of UK interpretation of the cool kookiness of the Beastie Boys, melded with the reckless abandon of the UK clubbing scene.

I remember buying their first release, cat. no. FNT1, and thinking how lucky I was to have got in at the start of this label, and promising myself to buy everything they put out, a bit like Wall Of Sound. Their label was the mark of quality. Given that this is FNT5, their 5th release, I think I might have the first five twelves.

This reminds me of the end of my degree, the start of my PhD, running around Leeds trying to get DJ gigs, MCing, playing in clubs. Red Stripe. A brown Carhartt beany that I loved. A big brown leather jacket that I'd customised - I'd ripped out the lining as it was a bit cumbersome and snug, and cut another buttonhole into a lapel so that I could fasten it right up under my chin. In fact, that's it - this record reminds me of the smell of that brown leather jacket. 

In fact, maybe the brown leather jacket is more interesting to me than the record. I loved that jacket, it really pulled my look together.

The Hardknox - 'Coz I Can'

Hardknox is Lindy Layton, the artist better known for being the voice on Beats International's single 'Dub Be Good To Me'. I remember seeing her DJ in the bar of Back To Basics, late 90s. I was there with Aidan, and it was frankly a bit of a slow night. We were talking about leaving when Ms Layton hit the decks and tore the roof off the place with a mammoth breakbeat/hip hop/drum and bass set. Yes, people really did mix it up like that back in the day.

I remember that she had Skint label boss Damian Harris behind the decks with her, and about 10 minutes into her set she pulled out a record and showed it to him. He looked at it, looked at the dance floor, and gave her a proper 'yeees maaate' grin. She then dropped a white label drum and bass remix of 'Funky Beats' - the one with the cut up of Chuck D saying 'IF YOU REALLY WANT TO ROCK THE FUNKY BEATS, SOMEBADY IN THE HOUSE SAY YEAH'. Chuck D does actually rap in capital letters, by the way - it's what makes him so awesome. The place went mental, and we stayed.

If you're a studio geek, there's something irresistably sexy about women messing around with technology - just go to a Juana Molina gig and watch all the tight-jeaned geeks fidget uncomfortably. So the thought of Lindy Layton actually having spent time in a studio making this filthy slab of distorted electro breakbeat hip hop is quite appealing. Weirdly, I thought I wasn't going to like this, thinking that I'd bought it after being seduced by all the distortion and the thought of a woman's hand setting the attack levels on a bank of compressors, but actually this is enjoyably filthy and raucous.

Tracks: Because I Can. Because I Did. Fire Like Dis. Hip Hop Pranksters.

Cat No: SKINT 15